Lecturer Rachel Church reveals how in the 18th and 19th centuries, jewels were used to send coded messages.
To understand jewellery, we need to read its secret language and messages, both hidden and open. Medieval lapidary books interpreted gemstones – each stone had a meaning and power. Gemstones in 18th and 19th century acrostic jewels spelled out secret messages. Romantic jewels used flowers, hands and hearts to send coded messages of affection and mourning jewels used a visual language of urns, broken pillars and veiled women to send a message of grief. Political jewels also send a silent message, whether through the colours of the Suffragettes or the hidden imagery of Stuart loyalists.
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A chance to revisit the elegant world of artist John Singer Sargent following last year's fabulous Tate Britain exhibition
69 Parkway
This Study Day comprises three lectures, each exploring a textile and a road, examing how these changed Central Asian history.