Examining E H Shepard's artistic journey through the First World War from jocular cartoons in Punch as a civilian, to dark and impactful images of death and destruction on the western front, and how his own artistic style and approach changed and was influenced by the conflict. It shows a range of cartoons, drawings, watercolours, annotated maps and guides for the Intelligence Corps, as well as commercial work for the home market. We see a transition towards the simple economy of line and expression which is exemplified by the Winnie-the-Pooh illustrations started shortly after the end of the conflict. An individual and personal record of the 'war to end all wars'.
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THE ARTS SOCIETY ACCREDITED LECTURER

Mr James Campbell
James Campbell has an MA in the History of Art, and a particular interest in the work of the artist, illustrator and cartoonist E H Shepard (1879-1976). He has been lecturing for over twenty years, and has lectured across the UK and overseas to community groups, Literary Festivals, Art societies, military museums, and to private clubs and societies. His books Shepard’s War and The Art of Winnie-the-Pooh were published in 2015 and 2017 respectively. He is currently working on a joint biography of A A Milne and E H Shepard commissioned for the centenary of the Winnie-the-Pooh books.
OTHER EVENTS
1 Kingswood Grove
The romance of speed continued to be a major theme in how cars were depicted in art, but, since the 1950s the car has become art.
Straight Road
St George, patron saint of England, is perhaps surprisingly, not even English.