04
November 2026

Viking Gods and Valkyries: The Art of Norse Mythology

Welcome to The Arts Society South Downs
Wednesday, November 4, 2026 - 10:30
Fittleworth Village Hall
School Lane Fittleworth RH20 1JB
Online Event

Lecture

This lecture explores how Norse myths and legends have been portrayed in the decorative and fine arts over more than 1,300 years, to reveal quite how few depictions we have, and the sometimes sinister reasons we may not see them.

The talk begins with a brief overview of the pantheon of deities, the Norse creation story and Ragnarök, the twilight of the gods. It then looks at Viking-age representations in wood, stone and metalwork and the effect of Christianisation. It continues with the rediscovery of Norse Mythology in the 18th century in age gripped by romanticism, then 19th century paintings and sculpture created in a period of Scandinavian  nationalism.  Finally, the talk turns to the appropriation of mythological images by the Nazi regime and more recent re-interpretations of Thor, Odin, Loki and the Valkyries in cartoon, Manga and film as well as conceptual art. 

Works examined include paintings and illustrations by Henry Fuseli and William Blake, academic history paintings from Norway, Sweden and Denmark, 19th century sculpture, and 20th century works by Carl Larsson, Hilma af Klint and Anselm Kiefer.

 

James Vaux
ames is a researcher and lecturer specialising in Nordic arts, culture, design and history. He has presented extensively on diverse topics throughout his career to demanding audiences across the globe, including CEOs and government ministers. His talks now focus on understanding art through its historic, cultural and political context. James aims to question conventional art world narratives about painters, designers and movements, to unveil the hidden forces that lie beneath great art. James took a law degree at Oxford with First Class Honours and qualified as a solicitor before switching career. As a managing director of the international bank Rothschild, he advised governments and corporates worldwide. He set up and ran the bank’s Nordic operations, living and working in Scandinavia and immersing himself in the countries’ arts, culture and history. James then gained an MA (Distinction) at UCL in Language, Culture and History (Scandinavian Studies). His dissertation was on Swedish design, and he specialised in landscapes, the Viking Age, politics and literature.