The Rise of the British Musical from Noël Coward to Lionel Bart
The British musical grew in its own unique way, with style, heart, guts and masses of fun. We are still entertained by revivals of Me and My Girl, The Boy Friend and Oliver! But what of the many more hit shows, such as Noel Coward’s Bitter Sweet, Ivor Novello’s King’s Rhapsody and the bitingly satirical Expresso Bongo, that are no longer staged? This lecture rediscovers a distinctive West End story to give a new perspective on the shows and the people who made them.
How to book this event:
Non members welcome for a guest fee of £6.00
Contact Diana Poll if you would like to attend this lecture
THE ARTS SOCIETY ACCREDITED LECTURER

Dr John Snelson
John Snelson has been fascinated by musicals all his life and is now a leading expert in British musical theatre (the subject of his PhD). His publications include Andrew Lloyd Webber (Yale University Press) and chapters in many authoritative reference works. He is especially known for exploring musicals – British and American – in the light of not just the music and the stage, but society and culture to reveal what makes them so appealing, enduring and important. He is well known as a writer and speaker on all aspects of the lyric stage – musicals, opera, ballet – and has written many programme articles for leading companies in the UK and abroad. John has given talks for, among others, the Royal Opera House, English National Opera, the Garsington and Glyndebourne festivals and for BBC radio. For 20 years he worked for the Royal Opera House. He currently lectures at Goldsmiths, University of London, and is completing a book on British musical theatre for Bloomsbury Publishing.
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