A comparison between two of the greatest English painters.
The landscape painters Turner and Constable were influential exponents of romanticism, an artistic movement of the late 1700s to mid-1800s that emphasized an emotional response to nature. Turner, who traveled extensively, often infused his dramatic seascapes and landscapes with literary or historical allusions. Constable, who never left England, preferred more straight forward depictions of placid rural scenery.
Working in the studio from sketches and his imagination, Turner blended his oil paints in fluid layers of translucent color, called glazes. Constable, sometimes painting directly outdoors, applied flickering touches of thick, opaque oils. Despite their differences in temperament and technique, Turner and Constable evoke the same worship of nature that imbues the literature of their contemporaries, the romantic poets Wordsworth, Coleridge, Byron, Shelley, and Keats.
Which to prefer?
THE ARTS SOCIETY ACCREDITED LECTURER
Ms Nicola Moorby
An independent art historian specialising in British art of the nineteenth and early twentieth centuries. She studied at the University of York and Birkbeck College, London. Formerly a curator at Tate Britain she has curated a number of exhibitions and has published widely on J.M.W. Turner, including contributions to the forthcoming online catalogue of the Turner Bequest. She is also co-editor and author of How to Paint Like Turner (Tate Publishing, 2010). In addition, she has published on Walter Richard Sickert and is co-author of Tate's catalogue of works by the Camden Town Group.
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