In 16th c Venice, Tintoretto, who had almost no formal training, produced work so quickly he was nicknamed Il Furioso.
Without the benefit of an apprentiseship he had to find work by under-cutting prices and delivering faster than his competitors like Titian. He often worked for no fee or just the cost of materials. His work was charcterized by muscular figures and dramatic gestures and movement. By the end of his life he was working for the wealthiest in Venice.Why did he give so much of his work away?
How to book this event:
Book a Zoom ticket on www.theartssocietynerja.com
NOTE it starts at 18.00 CET Spanish time
THE ARTS SOCIETY ACCREDITED LECTURER

Dr Julia Musgrave
Julia Musgrave got her first degree in Chemical Engineering and went on to become a Chartered Information Systems Engineer and IT project manager. In 2008 she decided that life was too short for just one career and decided to become an art historian.
She now has a Graduate Diploma in the History of Art from the Courtauld Institute of Art and an MLitt in ‘Art, Style and Design: Renaissance to Modernism, c.1450 – c.1930’ from the University of Glasgow. She gained her PhD at the University of York for her research into the involvement of Roger Fry and the Bloomsbury Group and the social networks of the British art world in the development of the Contemporary Art Society from 1910 to 1939.
She teaches Art History at the City Literary Institute (City Lit) and is Co-Director of The London Art Salon.
OTHER EVENTS
A visit starting at the home of Charles Darwin and moving on to the ancestral home of the Gresham family
Brighton Road