This lecture traces the development of micro-mosaics, made from thousands of timy pieces of glass.
Micro-mosaics are made of thousands of tiny pieces of glass, invisible to the naked eye. Inspired by the discovery in Hadrian’s Villa in 1735 of what was then thought the finest mosaic ever made in ancient Rome, the mosaic artists of 18th-century Rome invented a method of making tiny mosaics in glass instead of stone.
This lecture traces the development of these astonishing feats of ingenuity from their neo-classical beginnings, to the romantic landscapes and naturalistic subjects of the 19th century. These micro-mosaics were highly prized in their day and brought back by visitors to Italy as treasured mementoes.
THE ARTS SOCIETY ACCREDITED LECTURER
Miss Judy Rudoe
Since 1974 curator at the BM, specialising in jewellery, and in 19th-20th century decorative arts. Author of Cartier 1900-1939 (BM 1997) and organiser of the Cartier exhibition at the BM, co-author of the Catalogue of the Hull Grundy Gift of Jewellery (BM 1984), contributor to the Catalogue of Micromosaics in the Gilbert Collection (2000). Her latest book, Jewellery in the Age of Victoria, co-authored with Charlotte Gere, was published in 2010 and won the 2011 William Berger Prize for British Art History. She is a Freeman of the Goldsmiths' Company and a Fellow of the Society of Antiquaries.
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