The art of making men appear relaxed and trendy.
Had Van Dyck not arrived at the Stuart Court the sti body language of Jacobean portraiture may never have been enlivened by Renaissance values. We explore the way in which Van Dyck’s male sitters exude elegance and why, with his depiction of sumptuous satins and shimmering silks, he was hailed as ‘the first that ‘ere put ‘ladies’ dress into a careless romance’.
THE ARTS SOCIETY ACCREDITED LECTURER
Ms Jacqui Ansell
Jacqui read History of Art and Theory at the University of Essex before going on to gain an MA in History of Dress from the Courtauld Institute. Formerly an Education Officer at the National Gallery, London, and a tutor and writer for the Open University, she has a wide range of teaching experience. She continues to lecture regularly on the public programmes of the National Gallery and National Portrait Gallery and to publish on court dress, Grand Tour portraiture and Welsh Costume as well as dress as a cultural marker and indicator of class, gender, national and professional identity. Jacqui is a senior lecturer at Christie's Education, London.
OTHER EVENTS
'Could it be magic?' - a surprising history.
The death of 3 artists, the birth of legends ... and conspiracy theories.

