Anna Bianco is a researcher and curator specializing in seventeenth- and eighteenth-century visual culture, with a focus on the intersections between music, drawing, and manuscript production. Her expertise lies in the analysis of decorated cantata manuscripts, Old Master drawings, and the material history of graphic collections. Since 2010, she has served as curator of the Ton Koopman Art Collection in Amsterdam, overseeing cataloguing, conservation, and exhibition organization. She has also worked as a specialist in works on paper for Antiquariaat Arine van der Steur (The Hague), contributing to the production of scholarly catalogues (nos. 37–48). Her past affiliations include the RKD – Netherlands Institute for Art History, where she contributed to the ICONCLASS system and the RKDimages and RKDartists databases. She has presented her research at leading conferences in Rome, Bologna, Bremen, Istanbul, and Matera, and her publications include The Master of the Roman Songbook (2023) and contributions to Studies in Baroque (2014). Her 2012 exhibition catalogue De Heilige Cecilia met Orgel reflects her continued interest in sacred iconography and performance contexts. In addition to academic writing, she has authored numerous art and exhibition reviews for an Italian journal, focusing on early modern painting and contemporary museology. She is currently based in The Hague and works across archives, libraries, and collections in Italy, the Netherlands, and the UK