Norden Farm Arts Centre Altwood Road Maidenhead SL6 4PF
In this lecture, Paul explores the lives of the ordinary people of Pompeii and Herculaneum, the two cities on the Bay of Naples that were buried by the catastrophic volcanic eruption of Mount Vesuvius in AD 79.
In this lecture, Paul explores the lives of the ordinary people of Pompeii and Herculaneum, the two cities on the Bay of Naples that were buried by the catastrophic volcanic eruption of Mount Vesuvius in AD 79. The plaster-cast bodies of the victims are the most vivid shocking reminders of the horrific event that made Pompeii famous, but who were these men, women and children so cruelly frozen in time? Exploring striking new discoveries and artefacts, Paul brings the inhabitants of Pompeii and Herculaneum back to life from the ashes and ruins of their own homes.
THE ARTS SOCIETY ACCREDITED LECTURER
Dr Paul Roberts
Dr Paul Roberts is the newly appointed Sackler Keeper of Antiquities at the Ashmolean Museum, Oxford University. From 1994 to 2014 he was Senior Roman Curator in the Department of Greece and Rome at the British Museum, where he was the driving force behind the major exhibition Life and Death in Pompeii and Herculaneum. At the Ashmolean he worked on an exhibition for 2016 Storms, War and Shipwrecks: Sicily and the Sea- telling the history of Sicily through shipwreck finds around the island. He studied at the Universities of Cambridge, Sheffield and Oxford and lived in Italy for several years, in Milan, Rome and Naples. He has excavated in Britain, Greece, Libya, Turkey and in particular Italy, where he directs excavations in the Sabine hills near Rome. His research focuses on the day-to-day lives of ordinary people in the Greek and Roman worlds. He has accompanied tours to Sicily, the Bay of Naples and Rome and has written books on Roman daily life, Roman Emperors, mummy portraits and Roman glass. He is currently writing a walking tour of Ancient Rome.
As Hitler’s forces gathered on the other side of the Channel to threaten these islands, men and women from London’s national museums, galleries and archives forged extraordinary plans to send their collections to safety.