L. S. Lowry is one of Britain’s most popular artists and yet our very familiarity with his work has stopped us looking as closely as we should at this extraordinary artist. Though famous for painting the mills and factories of the industrial north-west of England, he was really a painter of the human condition. In this lecture I suggest that his work is the visual counterpoint of T. S. Eliot’s poetry and further, that we can claim him as our English Van Gogh. Too much? Come to the lecture and decide for yourself!
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THE ARTS SOCIETY ACCREDITED LECTURER
Mr Michael Howard
Michael is a familiar face to The Arts Society. He is President of The Arts Society Bolton and a Fellow of the Royal Society of Arts. Although retired, he continues to teach at the Manchester School of Art. He has published widely on European art of the nineteenth and twentieth centuries, his books include: L. S. Lowry: A Visionary Artist; The Impressionists by Themselves; The Stations of the Cross / The Captive Figure and the award-winning dramatic interpretation and publication of material originally performed by the Zurich-based Dadaists of 1916. A New Order: An Evening at the Cabaret Voltaire. His book on Gauguin, was written in association with the Gauguin Museum, Tahiti, and his book on Monet for the Musée Marmottan, Paris. One of his most recent books concerns his wife’s life and work: The Human Touch: Ghislaine Howard. (Ghislaine is also an accredited lecturer of The Arts Society).
Michael is a practising artist, and has exhibited at the Royal Academy, the New York Art Fair and elsewhere. He is represented in Manchester Art Gallery and in many private collections both here and abroad. He has appeared on television and radio many times and in 2004 he and Ghislaine worked the film, Degas and the Dance which has awarded one of the prestigious Peabody awards.